I'd said earlier that I wasn't going to write about this, but it makes me feel so much better about my normalcy that I might as well. That, and I feel sort of legitimized by seeing it in Critical Mass, the blog of the national book critics circle board of directors. So what do I do when I sit down to write something? I get a cup of tea (or a glass of ice tea in the summer), make sure the room and my desk are reasonably neat (knowing it won't last), either turn the radio off or put some inspirationally appropriate instrumental music on random repeat on the CD (mostly Celtic music for Prospero's Daughter), turn off the phone, and start to sweat blood (on a bad day) or go into a trance of automatic writing (on a good one). Honest.
Well, sorta. Right now, my desk is scattered with electronic gadgets, recently unpacked books, my wallet, old papers, an empty ice cream pint (Ben & Jerry's Heathbar Crunch) I just finished off, two empty glasses (ice tea from this morning and milk from lunch), a bottle of water, a stack of blank CDs etc. etc., and the radio is blaring obnoxious pop, and yet this is blog post number three for the day. (Hah! you thought I was doing these all week, didn't you! Surprise!) So even that little ritual doesn't follow. The only time I've ever had a real ritual is when I was first writing Prospero's Daughter, and I staggered blindly out of bed in the morning (I was freelancing then, also known as "unemployed"), made tea, turned on the computer juice and wrote in a blind haze, though I was not yet awake. Apparently this was Mary Lee Settle's technique too.
Other people, it seems, are touchier and more delicate fleurs, according to Rebecca Skloot over at Critical Mass. Who knew both Jack Kerouac and Francis Bacon had to start out on their knees? I can't imagine picking the fleas out of my cat as a pre-writing ritual, but apparently Colette found it soothing, if not inspiring. Sam Johnson, W.H. Auden and I also share the tea fetish, though I suspect they drank a lot more than I do. I also like to write in bars and cafes, and it seems nobody else much does that, at least according to these two lists.
Mostly, all I need to get writing is a lack of social obligations and the willpower to stop procrastinating. That's the hard part. It's the damn procrastination, of which this bloody blog is a big part. And housework. The freaking housework: schlepping the laundry out to be done, shopping, dusting and vacuuming, making the bed, cleaning the bathroom, cooking. And I know I've said this before, but I need more friends who are writers who understand me dropping off the face of the earth for a while, like Balzac:
When Balzac had a new work in view, he first spent weeks in studying from real life for it, haunting the streets of Paris by day and night, note-book in hand. His materials gained, he shut himself up till the book was written, perhaps two months, absolutely excluding everybody but his publisher. He emerged pale and thin, with the complete manuscript in his hand, not only written, but almost rewritten, so thoroughly was the original copy altered, interlined, and rearranged.
Now that's my idea of the writing life. Bad enough I have a part time boss I have to appease now. Since I was so broke when I wrote Prospero's Daughter, I couldn't afford to go anywhere anyway, and staying home and writing helped me save money. I'd go out and forage for neck bones to make soup with every now and then (seriously; them was some broke days), and then I'd glue my butt to the chair and write 7-15 pages a day. Heaven. And the book went through, oh, probably at least a couple of revisions while I was doing it, just like Balzac. Same technique.
I should start keeping track of my word counts for blog posts, just to see how much of this crap I'm churning out in my procrastination. Then maybe I can start counting this as a ritual. Grumpy Old Bookman was making fun of Holtzbrinck's bright new idea to have its authors do blogs to help sell their books—not an entirely bad idea, but the stupid part, as M.J. Rose explicates so well, is that they don't expect it to take much time: “In terms of effort on the author's part, a successful blog needs to have at least three posts a week, and it only takes a few minutes [to] post a new message, so it won't take them much time.”
Well, I know that had me ROTFLMAO. I mean, yeah, if you're going to just post a paragraph about where you're reading, but that's not very effective marketing. Your website can do that. As Rose points out, "For a blog to be successful it has to have passion, voice, commitment, creativity. It takes a lot for the writer to bring fresh ideas to a blog on a continuing basis," as Jen well knows. I applaud her efforts. I've already given up. I'm going back to my comic proposal and my novel. Just let me get some tea . . . and clean the desk up a little . . . and just pack up my laundry . . . Oh wait, there's the phone.